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Palette sans and parents how to#
Palette sans and parents free#

You should feel free to do what you do, not copy exactly what I do! (Of course, those who prefer to follow my techniques more closely are welcome to do so).Īll steps are covered in the videos, but they are also summarized below:Ī collection of 5-10 favourite pieces of your own illustrations or artworks, especially in terms of colour. Both will be based on the same root colours and therefore consistent with one another! I'll walk you through the process, from coming up with your theme, to sketches, to final.Īs usual, I leave it up to you to work your own illustration tools and techniques into the project, in your own unique way. The Project is to make 2 illustrations, one based on a simpler palette, and one with more variation. We'll also be building a simple palette, based on findings from the other exercises, and which we'll use in the project. The Exercises are meant to get you thinking about your unique colour sense. The class project is divided into two parts the Exercises and the Project. Retro Supply Co. for many of the brushes used in the class ( Woodland Wonderland).All the artists that have ever inspired me as an illustrator!.My wife and children (who let me spend our entire summer making this class - I owe you BIG TIME).Brandon Carter (animation of intro title and birthday party illustration).Tiffany Chow (Help with class concept).Special thank-you to all who contributed to the making of this class, including: Let’s explore what being a One-Palette illustrator means together! See you in class! If you want to discover how you use colour in your own unique way, a great way to start is as a One-Palette Illustrator. Working with Colour in Digital Illustration Tools.

Apply same principles you use for your own palette to almost any other.

Gain more creative authority with your clients.

Present as a decisive and confident artist.

Establish a stronger identity through more deliberate, consistent choices in your colour.

Learn to work more creatively within constraints.

Some experience working with digital illustration tools is recommend.īeing a One-Palette illustrator is all about bringing more consistency and confidence to your illustration, all the while making it easier to choose from the 16.7 million possible colours in the digital space! It's about knowing more about the colours you love and how you can make that work with how you want to illustrate! This class is largely geared toward digital illustrators (illustrators working with digital tools) but anyone hoping to learn more about how colour works in art and illustration, and even a bit of colour theory, will benefit from this class. And, of course, you'll get to put it all together in a juicy Final Project: two illustrations using your own personal palettes: one set of simple icons in a strict palette and then a more complex scene that builds on your theme, using a more varied palette. As usual, you'll go through some key insights and theory in The Primer, and then do some self-discovery and personal palette building in The Exercises. Join Tom as he shows you what it means to be a One-Palette Illustrator, and how it’s far more powerful than you might think. Spoiler alert: it involves very limited palettes!

Palette sans and parents how to#

If you've ever wondered how to make colour seem less random, this class is for you! Join Illustrator and Top-Teacher Tom Froese as he guides you through his own approach to using colour.